Born in Moscow in 1974 Alexei Butirskiy entered Moscow Art College in 1992. In 1996 he finished his studies at the Art College and graduated with an Excellence Diploma. In 1998 he completed the Russian Academy of the Arts where he studied under respected professor L.S. Hasyanova.Since 1996, Butirskiy has participated in over 10 exhibitions, one-man shows and auctions both in Russia and in England and over 25 shows in the United States. Most recently, Alexei has concentrated his efforts primarily on representing urban life around him in truthful and unglorified terms......
Born in Moscow in 1974 Alexei Butirskiy entered Moscow Art College in 1992. In 1996 he finished his studies at the Art College and graduated with an Excellence Diploma. In 1998 he completed the Russian Academy of the Arts where he studied under respected professor L.S. Hasyanova.
Since 1996, Butirskiy has participated in over 10 exhibitions, one-man shows and auctions both in Russia and in England and over 25 shows in the United States.
Most recently, Alexei has concentrated his efforts primarily on representing urban life around him in truthful and unglorified terms. A sense of tranquility is conveyed in each of his paintings. They are typically without action of conviviality and most are uncannily still, with only light, space, shadows and color offering dialog. The power and intensity of the relationship between light and dark are the profound forces of his work. The sophisticated application of light effects with color reinforce the majesty of his compositions. Butirskiy's paintings are reminiscent of the works of Claude de Lorraine and Caravaggio with their luminescent qualities and skillful variations of light and dark.
Alexei Butirskiy's ability to combine architecture, color and format is a refined skill normally reserved for artists much his senior. As a result, he ranks among Russia's top emerging artists. His work has been successfully exhibited in galleries and private collections through France, England, Austria, Germany, Switzerland, Russia and the United States.
Like Norman Rockwell, Seuss personally created every rough sketch, preliminary drawing, final line drawing and finished work for each page of every project he illustrated. Despite the technical and budgetary limitations of color printing during the early and mid-twentieth century, Dr. Seuss the artist was meticulous about color selection. He created specially numbered color charts and elaborate color call-outs to precisely accomplish his vision for each book. Saturated reds and blues, for example, were carefully chosen for The Cat in the Hat to attract and maintain the visual attention of a six-year-old audience. By the time Seuss’s book career took off, sharp draftsman skills were evident in drawings. His ability to move a storyline ahead via illustrations filled with tension, movement and color became a hallmark component of his work, and the surreal images that unfolded over six decades became the catalyst for a humorous and inspired learning experience.
Artist Leo Rijn, the inaugural sculptor for the Dr. Seuss Tribute Collection I, was selected to launch this project due to his prized work with some of today’s top talent in the world of film, entertainment and the visual arts (including Tim Burton, Ang Lee and Steven Spielberg). Rijn has been identified as one of today’s brightest sculpting talents because of his ability to breathe life into the written word and successfully transform two-dimensional ideas into three-dimensional works of art. Universal Studios commissioned Leo to develop and oversee the creation of numerous maquette scale models for the Monumental Dr. Seuss Sculptures at Seuss Landing in Orlando, Florida. Leo was instrumental in the art direction for many of the sculpted characters and buildings now on display at this permanent Seuss attraction. His strikingly accurate Seuss works embody a masterful and intuitive Seussian sensibility, establishing him as a leading talent in interpretive sculpting.
Seuss embarked on an ingenious project in the early 1930s as he evolved from two-dimensional artworks to three-dimensional sculptures. What was most unusual for these mixed-media sculptures was the use of real animal parts including beaks, antlers and horns from deceased Forest Park Zoo animals where Seuss’s father was superintendent. Unorthodox Collection of Taxidermy was born in a cramped New York apartment and included a menagerie of inventive creatures with names like the “Two Horned Drouberhannis,” “Andulovian Grackler,” and “Semi-Normal Green-Lidded Fawn.” Shortly after Seuss created this unique collection of artworks, Look Magazine dubbed Seuss “The World’s Most Eminent Authority on Unheard-Of Animals.” To this day, Seuss’s Unorthodox Collection of Taxidermy remains as some of the finest examples of his inventive and multi-dimensional creativity.
Illustrator by day, surrealist by night, Seuss created a body of irrepressible work that redefines this American icon as an iconographic American artist. Yet, the Secret Art often shows a side of the artist that most readers, familiar with him through his classic children’s books, have never seen. This collection, created over a period of more than 60 years, encompasses the entirety of Seuss’s multi-dimensional talent. The artistic golden thread highlighted throughout this collection is apparent in each wildly imaginative and surreal Secret Art image. The Secret Art of Dr. Seuss is an inimitable collection of artworks created at night for his own personal enjoyment. These works were rarely, if ever, exhibited during his lifetime and provide a deeper glimpse into the art and life of this celebrated American Icon.