StudioHot Island Glass is a creative partnership between Chris Richards and Chris Lowry, two of the leading glassblowers in Hawaii. Both artists have been involved in the studio/gallery since Bill and Sally Worcester founded it in 1992 as Maui’s first hot glass facility. In 2000, Chris and Chris became the owners and principal artists of Hot Island Glass, and on most days, visitors will find them there creating stunning, one-of-a-kind works of art. The work can be seen in their gallery, as well as in many other galleries in Hawaii and on the mainland...
StudioHot Island Glass is a creative partnership between Chris Richards and Chris Lowry, two of the leading glassblowers in Hawaii. Both artists have been involved in the studio/gallery since Bill and Sally Worcester founded it in 1992 as Maui’s first hot glass facility. In 2000, Chris and Chris became the owners and principal artists of Hot Island Glass, and on most days, visitors will find them there creating stunning, one-of-a-kind works of art. The work can be seen in their gallery, as well as in many other galleries in Hawaii and on the mainland.
Located in Makawao, a historic and quaint rodeo town in Maui’s beautiful Upcountry, Hot Island Glass has become a favorite destination of Hawaii’s art-loving visitors. Customers return year after year to peruse the gallery and watch the artists fashion high-quality vessels and unique sculptural pieces, many of which reflect the rich colors and forms of the Hawaiian Islands.
Chris and Chris have successfully shown their works, individually and as a team, in several notable exhibitions throughout Hawaii. Most recently, their work was included in Fire to Form, an invitational exhibit of contemporary glass by artists either working in Hawaii or with ties to Hawaii mounted jointly by the Contemporary Museum on Oahu and the Hui No‘eau Art Center on Maui.
Like Norman Rockwell, Seuss personally created every rough sketch, preliminary drawing, final line drawing and finished work for each page of every project he illustrated. Despite the technical and budgetary limitations of color printing during the early and mid-twentieth century, Dr. Seuss the artist was meticulous about color selection. He created specially numbered color charts and elaborate color call-outs to precisely accomplish his vision for each book. Saturated reds and blues, for example, were carefully chosen for The Cat in the Hat to attract and maintain the visual attention of a six-year-old audience. By the time Seuss’s book career took off, sharp draftsman skills were evident in drawings. His ability to move a storyline ahead via illustrations filled with tension, movement and color became a hallmark component of his work, and the surreal images that unfolded over six decades became the catalyst for a humorous and inspired learning experience.
Artist Leo Rijn, the inaugural sculptor for the Dr. Seuss Tribute Collection I, was selected to launch this project due to his prized work with some of today’s top talent in the world of film, entertainment and the visual arts (including Tim Burton, Ang Lee and Steven Spielberg). Rijn has been identified as one of today’s brightest sculpting talents because of his ability to breathe life into the written word and successfully transform two-dimensional ideas into three-dimensional works of art. Universal Studios commissioned Leo to develop and oversee the creation of numerous maquette scale models for the Monumental Dr. Seuss Sculptures at Seuss Landing in Orlando, Florida. Leo was instrumental in the art direction for many of the sculpted characters and buildings now on display at this permanent Seuss attraction. His strikingly accurate Seuss works embody a masterful and intuitive Seussian sensibility, establishing him as a leading talent in interpretive sculpting.
Seuss embarked on an ingenious project in the early 1930s as he evolved from two-dimensional artworks to three-dimensional sculptures. What was most unusual for these mixed-media sculptures was the use of real animal parts including beaks, antlers and horns from deceased Forest Park Zoo animals where Seuss’s father was superintendent. Unorthodox Collection of Taxidermy was born in a cramped New York apartment and included a menagerie of inventive creatures with names like the “Two Horned Drouberhannis,” “Andulovian Grackler,” and “Semi-Normal Green-Lidded Fawn.” Shortly after Seuss created this unique collection of artworks, Look Magazine dubbed Seuss “The World’s Most Eminent Authority on Unheard-Of Animals.” To this day, Seuss’s Unorthodox Collection of Taxidermy remains as some of the finest examples of his inventive and multi-dimensional creativity.
Illustrator by day, surrealist by night, Seuss created a body of irrepressible work that redefines this American icon as an iconographic American artist. Yet, the Secret Art often shows a side of the artist that most readers, familiar with him through his classic children’s books, have never seen. This collection, created over a period of more than 60 years, encompasses the entirety of Seuss’s multi-dimensional talent. The artistic golden thread highlighted throughout this collection is apparent in each wildly imaginative and surreal Secret Art image. The Secret Art of Dr. Seuss is an inimitable collection of artworks created at night for his own personal enjoyment. These works were rarely, if ever, exhibited during his lifetime and provide a deeper glimpse into the art and life of this celebrated American Icon.